“israeli” Spy Produces Film Showing Transgender Kissing Hijabi Muslim Woman

On September 17, 2021, Amazon UK released the feature-length film Everybody’s Talking About Jamie. One of the film’s producers, Arnon Milchan, has a scandalous history in the world of geopolitics.

The story centers around a teenage gay boy named Jamie New who dreams of being a “drag queen.” Facing bullying at school, Jamie sticks together with his best friend Pritti Pasha, who is a hijab-wearing Muslim girl. She encourages his dream of becoming a professional “drag queen.”

This film is one of the latest by the video streaming giants to promote sexual debauchery and associating such culture with Muslim peoples. The first was Netflix’s Cuties, an undoubtedly pedophilic film depicting girls below the age of puberty engaging in inappropriate dance styles in competitions.

However, Cuties was meant to antagonize Islam by showing it as a backwards religion, and that the young girl pursued such obscene dance styles in order to vent her inner frustrations due to paternal abandonment, as her father had more than one wife.

The idea that this little girl is justified in rebelling against her own childhood innocence just because of polygamy has no basis. Basira Press published a lengthy analysis defending Islamic polygamy when done properly according to the noble ethical traits of Islam, versus how it is abused. The abuse is real unfortunately, but is sometimes exaggerated by anti-Islamic media propaganda, as in the case of Cuties. The news will never do stories on families who do it properly, as it doesn’t serve their anti-Islam agenda.

However, Everybody’s Talking About Jamie does not antagonize Muslims in this film, but rather presents a narrative that Muslims and perverts are “allies” against bullying and discrimination. This narrative has no basis in reality, because Islam is about uplifting the human soul away from our animalistic desires, and to discriminate against someone who is overcoming their ego and seeking nearness to God is a crime.

However, homosexuality is based on egoism and enslavement to the flesh – and a perverted, distorted, and demented outlet for carnal desires at that. Additionally, the militant LGBTQP movement’s main goal is not to be protected against vigilante violence, but rather their definition of “rights” is the free ability to shove their demented “culture” down the throats of society, especially young children, through the public display of lewd behavior and building upon the already hypersexualized culture of the West.

Islam is opposed to violence against people mired in sin. Rather, it promotes compassion and helping them to ascend towards their higher self, away from their lower selves. When sins are done in private, there is no distinction or difference between any of the major sins, such as fornication, Sodomy, alcoholism, etc. It is when these sins become a public problem and violate the rights of others, is when Islamic law comes into play. Even then, it only applies to countries which have implemented Islamic law by the will of the people, such as the Islamic Republic of Iran, and even then, four witnesses are required to physically see the act of Sodomy which is highly unlikely to happen unless it is done in public view.

In the West, Muslims don’t have the right to impose Islamic law. However, they don’t have to sit by and let society deteriorate into darkness as well. Standing against the militant LGBTQP agenda can be done without pushing for the implementation of Islamic law on non-Muslim peoples.

The narrative that LGBTQP are “oppressed” because they can’t groom children with their hypersexualized propaganda is in no way related to the genuine struggle of Muslims to be treated as equals in society, because following a divine prophet sent by God should not be a crime.

The danger in equating the two, and allying with sexual perverts, is that the LGBTQP militant socio-political agenda is shaped by the academic school known as Queer Theory, which has always maintained that pedophilia is just another “normal” sexual orientation that people are born with. One of the founders of the Queer Theory school of thought is Michel Foucault, the French academic who put his theories into practice by raping young Tunisian boys in a cemetery.

Statistics show that people with LGBTQP tendencies make up the majority of child sex offenders.

While Zionist Hollywood has previously mostly painted Muslims as terrorists, the system changes tactics as is needed depending on present circumstances. Therefore, the current tactic is to promote the secularization of Muslims in order to reduce our divine faith into nothing more than an ethnic/cultural identity, rather than a set of divine principles. Culture, in this context, means simply inheriting the faith and practicing it superficially only it is because what family or society does, and not the richness of culture found in architecture, arts, poetry, literature, food, folk clothing, and more.

Imam Khomeini called this false dichotomy “American Islam.” American Islam has two branches, according to the late founder of the Islamic Revolution in Iran: a takfiri branch and a secular branch. Takfir in Arabic means to excommunicate, to deem someone a disbeliever, which includes both Muslims and non-Muslims, thus sanctioning their blood to be shed. This is the Wahabbi philosophy which ISIS believes in. The other branch is secular, whereby the symbols of Islam lose all their deeper meaning and become nothing more than window dressing, whereby the ego of the individual takes precedence over divine wisdom. The real religion that people obey in this instance is liberalism, which bolsters the destructive idol of the self, giving the person license to do whatever arrogant actions their limited imagination can justify through moral relativism. Hijab is just a scarf, and loses all its meaning as a symbol of honor and modesty.

This film seeks to attack Islam by promoting the liberal wing of American Islam. In the film’s trailer promoted on Amazon’s social media, hijab-wearing Muslim girl Pritti Pasha can be seen attending the school’s prom dance party with Jamie the transgender boy, where he kisses her on the face and holds her hand – something considered to be a violation of the woman’s sanctity, privacy, rights, and honor in Islam – as a thanks for standing up for his “rights” to shove his society-destroying “culture” down everyone’s throats.

Everyone knows what prom is about – it is where young people confuse lust for love and sell away their most precious treasure, which is their chastity, to someone they barely know or care for, in pure animalistic selfishness, and if any connection continues after the night of godless hedonism, it likely falls apart because they put the cart before the horse, connecting on the most intimate level with someone first before having understood their partners’ personality and characteristics fully, realizing that behind the beautiful flesh they lusted after is a monster who they cannot stand, ending in pain, confusion, and heartbreak.

Hijab, when adorned with full awareness by an honorable believing woman, gives her the wisdom and intelligence to see through this self-destructive facade and understand that it only drags her down towards her lower self, keeping her away from loftier pursuits in life. It elevates the honor and dignity of the woman, because she is required to wear the hijab during the five obligatory daily prayers, even when she is alone without any men around her, as one should dress with honor and dignity before the Lord.

An intelligent, Godwary woman who guards her chastity and modesty is a threat to the system, which is why hijab comes under attack by the Satanic powers, either in the form of outright bans, or co-opting it to take away its deeper meaning, the latter of which is the tactic employed deceptively by this film.

It is not far-fetched to say that the girls in this prom scene are quite devoid of intelligence, including Pritti Pasha herself, who uses foul language and profanities to defend her perverted friend. Whereas hijab is a means by which the woman focuses on drawing attention to her intelligence instead of her vanity.

This doesn’t even consider the fact that transgenderism is an assault on womanhood, reducing womanhood to a piece of clothing and not certain spiritual characteristics that she is endowed with that men do not have and cannot get by simply wearing high heels and lipstick.

This secular approach reduces Islam to some “victim” identity to be co-opted and politicized by cosmopolitan political parties for the sake of getting Muslims to vote for the liberal humanist wing of Western imperialism. If Islam is nothing more than a political football for use in identity politics and the Oppression Olympics, an Islam stripped of its meaning is exactly what the oppressors want.

One such oppressor is Arnon Milchan, an “israeli”-American film producer, businessman, and spy. By no coincidence at all – internet memes about the early life section of Wikipedia aside – he is the producer of Everybody’s Talking About Jamie. As a spy for the “israeli” government, he certainly would want the Islamic movement to either be dehumanized or defanged. Showing Muslims as terrorists in films helps to dehumanize us, whereas secularizing Islam helps to defang us. Either way, it benefits “israel” and America: either they kill us, or we kill our own spirit by allowing our minds, hearts, and souls to be corrupted by “American Islam.”

Milchan is the producer of Fight Club, Mr. & Mrs. Smith, The Revenant, The Girl Next Door (about a high school student who falls in love with a porn star), and even Oliver Stone’s JFK film, which many consider a disinformation piece meant to distract from the fact that the “israeli” Mossad also participated in the assassination of the American president John F. Kennedy, ironically due to “israel’s” nuclear program, for which Milchan’s spy work helped to obtain necessary technology for advancing such a deadly and dangerous semi-secret nuclear weapons arsenal.

Milchan was rumored to be an “israeli” spy who used his entertainment industry and business connections as convenient mediums to support the Zionist entity. One of his companies had helped to illegally transfer nuclear trigger technology to the Zionist regime. It wasn’t until an unofficial biography of Milchan, Confidential, was released in 2011 that these rumors proved to be true.

Milchan is the executive producer of Everybody’s Talking About Jamie, and a British liberal, Tom MacRae, is the writer of the story that the film. Neither of these people care about Muslims nor Islam and it is clear they have an agenda.

Aside from the fact that this is an incredibly lewd insult against Islam and its values, it poses yet another danger towards Muslims.

Muslims who are psychologically and ideologically manipulated by such a film might befriend a transgender and that can be a potentially dangerous recipe.

There was a recent case of a transgender boy who used his “free pass” to enter girls’ bathrooms in order to rape a teenage girl. In Loudoun County, Virginia, the school where this tragic event happened covered up the story in order to avoid being labeled as “transphobic,” even going so far as to have the victim’s father kicked out of a school hearing using particularly violent means to eject him from the premises.

The mother of the deranged teen – whom she admitted is deeply troubled – defended her son, saying he just “wanted sex” and that he had fornicated with the victim before.

In this sick and depraved world, sexual assault is being justified just because the aggressor happens to wear the clothing of the opposite gender. A free ticket to rape is to identify with an “oppressed” sexual minority group.

Not only are our religious principles in danger by such films, but normalizing social relations with sexual deviants with a militant socio-political agenda puts our youth in physical danger of being abused. The DSM handbook, the standard book produced by the American Psychiatric Association, used to consider homosexuality a mental illness up until the 1970s, when it was removed for socio-political purposes (largely due to LGBTQP activist pressures), not due to any scientific evidence suggesting the categorization was no longer valid.

Hollywood films love to depict LGBTQP as just as wholesome and friendly as normal families, but the reality is far from this rosy depiction. While Milchan’s film showed Jamie and the hijab-wearing Pritti Pasha as “BFFs,” the reality suggests that if this were real life, she would have found out the hard way the futile nature of ascribing to cosmopolitan liberal political alliances with the LGBTQP community if she ever found herself being the victim of unwanted sexual advances by someone totally enslaved to their unhealthy, twisted, and demented carnal desires.

There should be zero tolerance for such films and public protest and outcry against the secularization of Islam must be on our agenda. We must stand up against the destruction of our religion and the destruction of the family by the wave of secular liberalism that seeks to take us away from our higher selves that are connected to God and serving a lofty purpose in this life, and drag us down into the dark depths of enslavement to our stomachs and private parts.

Islamic identity is an identity based on the soul and its upliftment. LGBTQP is an identity attached to the carnal, base animalistic desires. The two cannot mesh. We do not advocate violence nor vigilantism, but we also must defend society from the corruption of hypersexualization of the public sphere, especially in media, academia, culture, and more, especially as they begin to target children as young as four years old.

Is it any wonder that an “israeli” spy and English liberal are behind such an agenda to defang our religion and put a headscarf on the face of corruption and vice?