Netflix’s “You People”: PR Attempt to Hide Jewish Anti-Black Racism

Editor’s note: For our Muslim and Christian readers, the film You People is filled with many obscenities, lewd innuendos, and sexual content, so if you do decide to watch the film and/or trailer for socio-political analysis purposes, please proceed with caution and make sure children are not able to hear or see any part of it. If you have the family-friendly filtering app VidAngel as a companion to your streaming subscriptions, see if they have a filter available for this film to protect your heart and soul from the filthy shamelessness of Zionist Hollywood. As this article is published during the holy month of Ramadan 1444 AH/2023 AC and thus many would want to avoid inappropriate content in pursuance of spiritual purity, interested readers can add analytical viewing of this film to their post-Ramadan to-do list.

Netflix’s You People is a Sociopolitical Nuclear Bomb

Many may say upon conclusion of reading this, “I missed that; I will have to watch that movie again.”

My intent is to show how this movie, with intent, has affect, not only in America but, in areas around the world. Having Eddie Murphy in the lineup alone was certain to draw attention but the script was well thought out.

The phrase, “you people,” was once considered a bit derogatory by many African Americans as far back as the 1970s. It was a phrase often used by white Americans, many of which had once been prone to say “you niggers.” “White” included members of the Ashkenazim (Jewish) group.

Therefore, when whites started saying “you people,” there was often a pause by black people and the thought, sometimes verbally uttered, “what the hell does this whitey, this cracker really mean.” Today, there is the movie that plays upon that phrase, “You People,” with leading star, Eddie Murphy. I imagine the popular phrase, “Dear White People” is a retort to “You People.”

I want to engage your thoughts about the movie directed by Kenya Barris and co-written with Jonah Hill, under this embattled phrase, “You People,” starring Eddie Murphy, Jonah Hill, Lauren London, Nia Long, Julia Louis-Dreyfus, and a host of others.

Pushing some taboo buttons, the movie’s intro would likely get the attention of most in its association of Barack Hussein Obama with Newport cigarettes, crack cocaine, and gays. It toys with the triggers of American red necks, dabbling with the removal of Confederate monuments, visual reflection of the not too distant American past, white heroes and sheroes, who are the authors of black peoples’ pain and sorrows in building the foundational wealth of an America which would be the bedrock of the 20^th century’s wealthiest nation on earth.

In the Muslim world, specifically, Iraq, after the US military invasion behind the lie of Iraq having weapons of mass destruction, the world saw the toppling of the statue of Iraqi President Saddam Hussein who had defied the US in ditching the Petrodollar in exchange for the Euro. Today, in China, Russia, Africa, and across much of the Muslim world, the Petrodollar is being pushed aside for other currencies.

Then the movie transitions to a synagogue scene and maybe the most notable, alluding to pedophilia where the much older man mentions the condition of Ezra’s – the younger man (Jonah Hill) – private parts.

This interaction invoked my memory of the Talmudic lesson – well, more a proclamation, and judging from today’s sexual mores, perhaps an edict – of a man, a father conferring with a rabbi, confessing his sexual molestation of his own infant daughter, to which the rabbi comforts the pedophile father, telling him that the sexual molestation is like poking his finger in her eye, when she grows older, she won’t remember it. Moses, the African, Egyptian Hebrew would have told the father he deserved to be stoned.

The older man tells Ezra, the younger man, we can go to the bathroom and take a look at his private parts, free of charge – it’s on the house. To which the younger man responds, “it’s not the price, it’s the concept.” Which brings to mind those rabbis with herpes who, with their mouths, had sucked the blood from infants’ circumcised privates, transferring the herpes to infants, as part of the Jewish ritual of Metzitza B’peh (oral circumcision). Yes, the problem, indeed, is the concept.

There were stories about the scene of Ezra and Amira kissing being a CGI (computer generated image). If I was Ezra and I had herpes from an encounter with a rabbi with herpes as an infant, during circumcision, for the safety of the co-actor (Amira), I would refrain from kissing her. Again, I stress “if” he has herpes. I cannot say he does or does not. However, I can attest to this being a big issue among those who carry out this behavior during circumcision. What sort of demented person came up with a practice such as using one’s mouth to remove blood from the privates of infants? A cloth would work just fine. Old Moses would be turning in his grave.

To demonstrate the bending of the knee to the LGBTQ woke cult, as most movies on Netflix and other movie platforms now do, Ezra’s sister, Liza (Molly Gordon) plays the part of a lesbian. My thought is that the LGBTQ brigade probably wanted a greater role in the movie.

The meeting of the two main stars occurs by happenstance between Jonah Hill, who plays Ezra, and Lauren London, who plays Amira.

Initially, Amira, in conversation with her brother, identifies Ezra as white, not Jewish, something her father, Akbar (Eddie Murphy) wouldn’t approve of her dating. If in doubt, with the late, great God Father of Soul, James Brown, blaring in the background, Akbar marches into the restaurant wearing a black shirt with white letters that say, “Fred Hampton was Murdered.” Indeed, Hampton was savagely murdered by the police as he slept. During this scene in the restaurant, Akbar comments about everybody’s hair in the restaurant being curly and wavy, not nappy like his, and eventually everybody’s going to look like Bruno Mars.

This scene pushes the “kinky” hair button, referring to the Talmudic writings of Belgium-born Rabbi Solomon Ben Isaac, better known as Rabbi Rashi. History scholars, recall the savage brutality in Africa of the Belgian called King Leopold.

This 10^th century rabbi codified and justified the brutality and enslavement of Blacks, those with “kinky,” or as Akbar called it, nappy hair, almost a thousand years before Leopold was born. Imagine, for nearly a thousand years the lies of Rashi being seeded and sprouting in the minds of Belgians, and throughout Europe. Today, its capitol city, Brussels, being the headquarters of NATO.

There were many who blasted and denigrated the soft comedy movie with cutting sociopolitical undertones in a limited tapestry of America. In the publication, Jewish Telegraphic Agency, it headlined the movie, “Jonah Hill is a Jewish guy who finds love with a Farrakhan follower’s daughter.” The article immediately went to the question, “Were Jews the ‘OG slaves’? Can American slavery be compared to the Holocaust? And who gets the last word on Louis Farrakhan?”

Then invoking inner-group controversy about whether the actor, Jonah Hill, aka, Jonah Feldstein and the actors playing his parents, David Duchovny as Arnold, Julia Louis-Dreyfus as Shelley, are caping in “Jewface,” hijacking the term “Blackface,” heralding back to the era of when white people, primarily, Ashkenazim in Hollywood, painted their faces black, pretending to be and often bafooning Blacks, carrying on through stereotypes in movies, the lies of Rabbi Rashi.

Some argue Jonah cannot be Jewish because he has dropped his surname, Feldstein, and chosen Hill. Among the Ashkenazim, there is the ongoing debate of who Is Jewish and who is not. Some say ones mother must be Jewish and only then are the children Jewish. Others say, if your father is Jewish that makes you Jewish. Most ignore their namesake, Ashkenaz, the man of the Torah/Bible from which all of them descended. The strongest historical evidence suggests Ashkenazim come from a group of pagan Gentiles of the Central Asian Caucuses mountains region whose ruling clans converted to Judaism and whose ancestors never experienced one day enslaved in ancient Egypt.

The publication, Algemeiner, headlined with “Netflix Film ‘You People’ Accused of ‘Erasing the Jewish Perspective’ in Its ‘Disappointing’ Portrayal of Jews.” It stated the movie “is being accused of perpetuating anti-Jewish stereotypes and conspiracy theories as well as anti-Semitism in its portrayal of the Jewish community.” Quoting Daniel Koren, executive director of Hasbara Canada, “In You People, the ‘Jew’ is presented as ‘rich’ & ‘white,’ erasing the experiences of Black, Asian, Persian, Mizrahi, Sephardic, and the millions of Jews who are not remotely ‘rich.’ Its lame stereotypes about Jews will fuel antisemitism.” 

It is not Black, Asian, Persian, Mizrahi, or Sephardic Jews who are the primary controllers of Hollywood, even if they have some presence. It has, in general, always been white Ashkenazim.

Unfortunately, the truth has become “anti-Semitic” to a growing number of manipulators of thought and cultures. David Bashevkin, the director of education for the Jewish youth group NCSY, referenced Akbar (Eddie Murphy) stating, “I don’t turn on the news everyday and see people in yarmulkes getting shot by police because they was out minding their business.” Bashevkin, in a perpetual quest to be the biggest victim of oppression, says it is completely false and “very disappointing” to see in the movie.

Most honest Americans know that white Jewish people are not being gunned down by police in any numbers left of the decimal point in percentages. Allison Josephs, the founder and executive director of the non-profit Jew in the City, drills down on the biggest victim myth. She states, “Where it gets dangerous is when Farrakhan-esque tropes and conspiracy theories get added in. Like Jews profited off the slave trade in some sort of outnumbered way.” At least she did not deny members of her ethnic group profited from Black enslavement. How many, who and how much profits earned are valid discussions.

Members of her group were outsized beneficiaries of the enslavement of Blacks in proportion to their overall population percentage, whether it was in the New York City garment industry and Wall Street or the Cotton is King plantations of Mississippi.

On Wall Street, Black men, women and children were auctioned, bought and sold like sugar and cattle. Members of her group, outsized beneficiaries during America’s 244 years of slavery, remain at the top on Wall Street to this day. How do we account for the group’s very outsized control in media, banking, the US Senate, and the Judiciary?

Akbar (Eddie Murphy) responds to Ezra’s father’s, Arnold (David Duchovny), comment about Jews making up only one half of one percent of the world’s population because they were systematically exterminated – with, “that one half of one percent of the population that you make up appears to be doing pretty good right now.” This is not even debatable, anymore than it is to conclude that many of them gloat about being the most intelligent, wealthiest, and even controllers of the US.

Former Israeli Prime Minister Ariel Sharon stated the “Jews control America.” He wasn’t talking about the Whoopi Goldbergs, or the Black Hebrew Israelites, not even the Sephardic or Mizrahi. He was talking about the white Ashkenazim, members of his ethnic clan who can often pass for white, even conveniently changing their names.

Ehud Olmert, another former Israeli Prime Minister, stated “George Bush does what I tell him to do.” This is the mindset and belief of a few, among many, top leaders within the group. To decry it as “anti-Semitism” is to declare the truth a lie and implies a hatred of spoken or visual truths.

Yes, Whoopi was right when she said of typical American Jews, most Americans don’t know they are Jewish until they say they are, or act out in a way that many members of the group act, dress, eat, etc. When you are Black, you cannot effectively turn that on and off, even in this “woke” dispensation.

Kanye West indicated, “Watching Jonah Hill in 21 Jump Street made me like Jewish people again……. No one should take anger against one or two individuals and transform that into hatred towards millions of innocent people.”

In the wedding ring scene, Ezra throws in the line, “once you drop the Holocaust, they can’t say shit,” telling his fiancé that the ring belonged to his grandmother, a victim of the Holocaust. In other words the Holocaust is the alleged ‘hell’ that makes all other hells look insignificant. I still haven’t figured out how the few years of hell that Hitler and his helpers put 3 million other Europeans through was more hellacious than kidnapping of Africans, followed by 244 years of character/culture-breaking and backbreaking slavery. Then the absence of restitution and reparations for this.

Fatima (Nia Long) – Akbar’s (Eddie Murphy) wife – is challenged with her grandfather being white and those genes somehow confusing their daughter to the point she would marry Ezra. During a scene where Ezra and Amira’s parents meet, Ezra mentions Malcolm X as “our guy,” “the GOAT,” and that Malcolm was of mixed race (albeit due to his grandmother being raped by a white man, leading to the birth of his mother Louise). As a side note, aside from the evidence implicating the FBI & CIA in the assassination of Malcolm, powerful Zionist groups at the time considered Malcolm to be the top “antisemitic” black leader in the US.

Ezra proceeds to shamelessly mention his premarital sexual encounters with their daughter to their face, despite the Islamic belief of preserving chastity before marriage and needing the father’s approval, due to the man being able to understand what other men think so as to prevent people like Ezra from deceiving and taking advantage of their precious daughter. Akbar in Arabic means “great,” yet Ezra’s admission of having his way with Amira ultimately humiliates and brings down this “Akbar” to a much lower level, in line with the general agenda of social engineers to emasculate the black man (and men in general).

Later, Ezra – in the presence of his parents and Amira’s parents – says Farrakhan was another GOAT which gets a rise out of his parents. His mother asks him, “what do you love about Farrakhan?” Akbar asks Ezra’s mother is she familiar with the work of Farrakhan. To which she says, “I am familiar with what he said about the Jews.”

She then says they work hard to attain their success and wealth. Her husband is a podiatrist, his father was a podiatrist, and his grandfather was a podiatrist.

The point made is that generational wealth and knowledge was unbroken and handed down from generation to generation. What was 244 years of slavery, was it not work? However, what was there to pass on to the next generation? Yet, this same American government continues to give hundreds of billions of dollars to those who did not labor in building this vineyard but eat its fruit. The latest being Ukraine.

Shelley (Julia Louis-Dreyfus) says “our people came here with nothing like everybody else” to which Fatima retorted, “actually, you kind of came here with the money you made from the slave trade like everyone else.” To that, Akbar responds, “preach mother.”

In Islam, especially the Shia branch, Fatima, the daughter of the Prophet Muhammad, is esteemed, being the mother of two sons, Hasan and Husayn, who became Imams and symbols of justice for oppressed people around the world. She is revered as The Mother of Imams.

Fatima’s husband, Ali ibn Abu Talib, is well known for his justice, piety, and standing for the rights of the poor and orphans, but is equally known for his defeat of a Jewish tribe in the infamous battle of Khaybar, due to the Jews’ breaking of the treaty they had with the early Muslims by secretly collaborating with the warmongering pagan oligarchs of Mecca.

While this was before the ruling family of the Khazar empire of Central Asia converted to Judaism, leading to today’s majority Ashkenazim population, the grudge against Ali and Fatima still continues to this day despite of the lack of ancestral ties between Ashkenazim and the inhabitants of Khaybar, whereby this grudge is manifested via subtle derogatory references in Hollywood films.

In Zionist Hollywood, few things in their films are inserted by chance. Given the tensions between the Iran-led Islamic resistance front and the Zionist occupation of Palestine, a subconscious insult towards the name of the revered daughter of the Prophet of Islam in this film could be a psychological quip against the Shia-majority Iran, who welcomed Minister Farrakhan as a guest on multiple occasions. Farrakhan decried the US-Zionist assassination of IRGC Quds Force commander Qassem Soleimani, exclaiming “you killed my brother [Qassem Soleimani]!”

In conclusion, Kenya Barris’ collaboration with Jonah Hill in writing this movie, in a comedy sort of way, opened the eyes of millions around the world to African American and Askenazim “Jewish” American relations. Jonah Hill certainly brought a lot to the script from his side of the tracks, even though it clearly angered some members of his group who saw it as airing their dirty laundry and secrets to many.